Hurbanistorias

Mi Rancho

Well. Here I am, center of the Universe, Mexico City, Mexico. Land of deaf-dumb subway singers, endless environmental disasters, lost lonely people from anywhere else, hundreds of years of history, swank hipster hangouts, yuppie rent-a-bike, one of the richest men in the world, starving drunks, singsong accents, and uncountable other oddities. It's the land of constant stimulus.

I live in a neighborhood called Jardín Balbuena, actually a very pleasant place to exist in the bourough ("delegación") Venustiano Carranza (see map), a block away from the metro station Mixiuhca, across the four-lane Eje 3 Sur from Jardín Balbuena, a big park where they put a big tianguis every Monday and Thursday, where you can find anything from forks to blankets and curtains, 15 peso pants, used digital cameras (and good ones!) to produce, tlacoyos and raw chicken (whole or in pieces!). I'm also within walking distance from the Olympic Velodrome they put up in '68. It's a funny neighborhood because though rent's relatively cheap, we're just a couple blocks from some really nice houses. Must be the screaming of landing airplanes...

My roommates are graphic designers. I actually only know one (the one with his name on the lease), because the other one's been in Guadalajara for the last few weeks apparently. I don't even know that one's name. Well anyway, the one I do know is called Marcos, a very San Francisco boy with rectangular glasses and a sort of reserved demeanour (till you get half a bottle of wine in him anyway). He keeps the place very clean and hangs out with me when I get back from work all grizzled and tired. Smiles a lot.

La Chamba

Oh yes, work. The thing that permits me to stay here... I found a job doing the most obvious thing possible: teaching Ingrish. I'm teaching at a private company in the neighborhood of Lomas de Chapultepec (=> Cha-pool-teh-PEC), which is kind of like Pacific Heights on a Dubai acid trip, all colonial and modern mansions with jararandas in bloom, shiny cars, and glass-and-steel high rises hovering around. Writhing masses of three-piece suits. But the place I'm working at is by and large okay; my co-workers are funny and interesting, the pay is all right, and I feel like I'm doing something useful.

The Metro is my friend. I clock into work just before 1pm every day except Saturday (when I start at 9am) and Sunday (which is obviously God's day of rest so I don't go to work), so I have to go running out of the house around 12:45. Fall down the stairs, two stories down to the door of my building, sprint across the parking lot/playground (go figure) open the front gate and hundred-yard-dash to the Metro stairs, past the fruit stand with the middle-aged guy who greets me every time ("buenas tardes güera!"), the torta stands, and down into the belly of the Metro, that swallows me up as I slip my ticket into the slim silent mouth of the turnstile, disappear into the gum-on-the-ceiling tunnel that leads me to the other platform, the Tacubaya direction platform, where an orange train will sweep me away to the next stage of my trip. Every morning an adventure, the same vendor selling Danzón CDs (I already bought one, but still I always want to dance when he busts out his Benny Moré and Pérez Prado...). Seven stations later I'm in Tacubaya, scuttling around the twists and turns, following the orange arrows to transfer to Line 7 toward El Rosario. Two stations later there I am in Auditorio, probably the deepest station in the damn Metro system, and I'm bounding up shit-tons of stairs, embarrassingly tired as I reach the top, panting like a dog in the summer, and crawl out into the world and onto my Palmas bus, which ten minutes later has me spilling out onto the sidewalk next to the Iglesia Covadonga and the taquero who greets me every day as he unloads his delicious fare from his truck. "No vas a comer tacos hoy, güera?" "No señor, hoy no puedo, voy con prisa, pero mañana seguro." Crossing Palmas is the last dangerous task of the afternoon (provided I have no kids classes scheduled for the day...) and then I wave through the glass door and Rogelio lets me in with the buzzer-button, usually greeting me with some sassy comment or other.

All images come from the Internets. The station symbols are from the Metro website: http://www.metro.df.gob.mx/ and the map is from Wikipedia (the brains of society...)